My favorite record so far this year is the funky, over amplified thumb piano record by Konono No. 1. Almost reminds me of Maxwell Street in its prime, but more melodic, and not really related to blues. Quite, quite good.
I'm copping some of Steve Leggett's Allmusic review, because it's beer o'clock, and I'm feeling lazy, even while I'm dancing in my chair.
Congotronics
This amazing record is the product of utility, coincidence, and accidental discovery as much as it is a product of academic deliberation, and it manages to sound old and traditional even as it is refreshingly (even radically) new and avant-garde. Konono No. 1 was formed in the 1980s by a group of Bazombo musicians, dancers, and singers from the Democratic Republic of Congo to play traditional likembe (thumb piano) music in the streets. They soon discovered, though, that they needed amplification to be heard and -- this is where the story of this album really begins -- they took a DIY and utilitarian approach by building their own amplification systems out of junked car parts, magnets, and other flotsam. Once assembled, the system produced a huge hum that Konono No. 1 embraced as part of the sound of the group. At the center of everything were three amped-up thumb pianos tuned to three different registers, and coupled with all manner of pots, pans, whistles, and brake drum snares for percussion and with the vocals blasting through megaphones, all embedded in the huge buzz and hum of the homemade PA system, the group accidentally created a sound that was at once both ancient and traditional and yet eerily akin to experimental 21st century electronica. ... it sounds wonderfully live and immediate, as if the dozen members of the group were standing on a busy street corner like some Congolese version of a second-line Mardi Gras band, only with thumb pianos instead of horns. Musical themes emerge and reemerge in the various tracks, and what sounds initially chaotic and random is revealed to be nothing of the sort, giving the whole album the feel of a ragged, joyous suite. Part traditional, part African rhumba, part smart avant-garde electronica, Congotronics is the sound of an urban junkyard band simultaneously weaving the past and the future into one amazingly coherent structure, and not only that, you can dance to it.
If you aren't convinced yet, here's the Amazon review:
Here's truly remarkable music from a streetcorner band that hails from the Congolese capital, Kinshasa. “Discovered” by awesome Dutch avant-punk act the Ex during a tour in the embattled region, Konono #1 makes hypnotic, beautiful, heavily rhythmic dance music with an often heavily-distorted electric thumb piano as the lead instrument. Fans of Fela and the Ethiopiques discs will dig this, as will fans of the Notwist, Prefuse 73 and Aphex Twin. Thankfully, Vincent Kenis' production allows the music to sound truly live, with plenty of distortion, frenzied call and response, and shambling percussion. Most of the instruments (including the twelve-piece group's renowned sound system itself) were scrounged ingeniously from scraps while microphones were carved from wood, so it's really important that the rough edges do show through. That's not to say there isn't inventive grace throughout, just that it's rad there's no candy-coated Daniel Lanois-type sheen here. In fact, it sounds like the whole studio was dancing up and down while making this awesome document.
Tags: music
