Ronald Moore interview

Ronald Moore is a clever writer, I'm saddened that BSG is going to conclude in one more season. While Mr. Moore claims not to consciously use current events for plot devices, obviously the War in Iraq and the War on Terror and Related Abstractions influences the direction of the show.

The man behind “Battlestar Galactica” | Salon Arts & Entertainment ... I'm not naive enough to think my politics don't influence the show. I'm certain that they do, but the show's mission is not to present answers to what I think are really complicated, difficult questions. One of the mistakes TV often makes is that it tries to tackle complicated moral and legal issues and wrap them up in an hour and give you a neat, tidy message by the end: “And here's the way to solve Iraq!” I don't think that's helpful, and I don't think that's good storytelling or great to watch. Our mission is more about asking questions, asking the audience to think about things, to think about uncomfortable things, to question their own assumptions.
I like the show best when you get to a place where you're not sure who you're rooting for anymore, you're not sure whose side you're on. And you're confused and you might even be angry about what we're doing but at least it's forced you to a place of trying to define your own point of view on something.

...
The challenge is that TV wants to bend you and your characters to neat moral decisions and arguments. Ultimately, the forces of television want your heroes to be heroic. It wants the leading characters to make the “right” choice each week and it wants there to be a clearly defined “bad” person in the show. Or at the most, the character does the right thing and maybe at the end he looks wistfully off-camera and ponders how it might have been different. There's a certain phony-baloney quality to a lot of the moralism on TV. It does serve up pat answers to difficult questions. And when you try to make it more morally ambiguous, you immediately run into the buzz saw of “It makes the characters unlikable. There's no one to root for. The audience won't like the character if they can't say he's making the right choice and that's what separates him from his enemies.”

We set out to make a very different kind of show. The difficulty is that when you go into these morally ambiguous areas, you have to have morally questionable decisions and motives for all your characters.


read the entire interview here, complete with spoilers.

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This page contains a single entry by Seth A. published on March 24, 2007 8:43 AM.

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