1. Ryan Adams - Come Pick Me Up's chorus, which always grabs my attention with its mix of longing and regret:
I wish you wouldI love this chorus, this whole record is pretty good actually. If I get around to writing up a best-of 2007 (about a 60/40 chance), which would include as fair game anything added to my library in 2007, there is a strong likelihood that Heartbreaker (released in 2000) will be named. How did I miss this album for so many years?
Come pick me up
Take me out
Fuck me up
Steal my records
Screw all my friends
They're all full of shit
With a smile on your face
And then do it again
2. The opening minute and a half of Lou Reed's Berlin (the title track), especially the piano chords. Starts out what sounds like studio tape-manipulation of some recording of a birthday party. I imagine Reed (or Eno, or Iggy Pop, or whoever his compatriots in the studio was at the time) actually putting their hand on the tape to make it sound like it warbles. Of course, this betrays my ignorance of actual recording studio practice, I don't even know if this is possible. I only remember having a portable reel-to-reel tape as a kid and doing similar experiments with music recorded off a record player. Reed's singing is not what I love about the song, or album, Berlin, though it certainly adds to the general mood of urban angst. No, I really like Allan Macmillan's piano melody swelling out of the tape collage.
YouTubery below, with John Cale playing the piano, and two versions of Come Pick Me Up
I like Ryan Adams as well. For a long time, I mixed him up with Bryan Adams (of Robin Hood soundtrack fame), so I never gave him a chance...
Have you listened to his first band, Whiskeytown? Pretty good stuff too.
No, I haven't. Maybe you could send me a Ryan Adams compilation CD...