Some additional reading November 22nd from 19:57 to 20:01:
-
The Friends of Eddie Coyle:They Were Expendable – From the Current – Politeness and bonhomie are strictly provisional, and everybody knows it, which is what gives this film its terrible sadness. In the miserable economy of power in Boston’s rumpled gray underworld, Eddie and his “friends” are all expendable, and the ones left standing play every side against the middle, their white-knuckle terror carefully concealed under several layers of nonchalance and resignation. There’s not a punch thrown, and only two fatal shots are fired, but this seemingly artless film leaves a deeper impression of dog-eat-dog brutality than many of the blood-soaked extravaganzas that preceded it and came in its wake.
The Friends of Eddie Coyle is, in many ways, an inside job. Meaning that there’s not a minute spent orienting the view
-
Movie Review – The Friends of Eddie Coyle – ‘ The Friends of Eddie Coyle’ Is a Good Tough Movie – NYTimes.com – Eddie is not very imaginative, and he’s not a tragic hero, but as played by Mitchum he has wit and a certain dignity. In the end, even the dignity is taken away from him.
“The Friends of Eddie Coyle” is so beautifully acted and so well set (in and around Boston’s pool halls, parking lots, side-streets, house trailers and barrooms) that it reminds me a good deal of John Huston’s “Fat City.” It also has that film’s ear for the way people talk—for sentences that begin one way and end another, or are stuffed with excess pronouns. “What you don’t know, it don’t bother you,” a friend might say to Eddie
- The Friends of Eddie Coyle :: rogerebert.com :: Reviews – The movie is as simple as that. It’s not a high-strung gangster film, it doesn’t have a lot of overt excitement in it, and it doesn’t go in for much violence. He gives us a man, invites our sympathy for him, and then watches almost sadly as his time runs out. And “The Friends of Eddie Coyle” works so well because Eddie is played by Robert Mitchum, and Mitchum has perhaps never been better.He has always been one of our best screen actors: sardonic, masculine, quick-witted, but slow to reveal himself.