Bruce Springsteen is Boring

There are certain critically acclaimed and successful musicians that I just don’t care much about. U2 is one such band, and so is Bruce Springsteen. His politics I can usually agree with, his heart seems to be in the right place, his working man schtick is admirable, but his music does not resonate in my brain. His voice irritates me to be honest. I have musical completist tendencies, and thus keep trying to like Bruce Springsteen, as he is so often reviewed favorably by critics and friends whose musical tastes I usually agree with. Coupled with the fact that I have no problem purchasing used CDs, especially easily discovered albums by artists like Springsteen, I have a surprising large collection of Springsteen albums accumulated over the years. Here is a thumbnail review of the ones still in my iTunes library.

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Springsteen Review 1.PNG

Greetings from Asbury Park, N.J. – Debut album, from 1972. Blinded by the Light is ok. 

The Wild, the Innocent & the E Street Shuffle – second album. Rosalita (Come Out Tonight) is ok, but drags on too long. The entire album suffers from the same problem.

Born To Run – the album that made The Boss’ career. If I was stuck in a car on a road trip with a Springsteen fan who maintained total control of the stereo, this is the album I’d choose. There are four songs worth listening to: Thunder Road, Tenth Avenue Freeze Out, She’s the One, and Jungleland. Jungleland does have a soft jazz section that grates on my nerves, but the rest of the song is ok, albeit ponderously long. The title track is ok too, I guess, but everyone1 has heard it way too many times and thus the song has lost its lustre. Tramps like us! They really like us!

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Darkness on the Edge of Town – not horrible. Badlands, Adam Raised a Cain, Streets of Fire are ok. 

The River – meh. Cadillac Ranch is ok, maybe, occasionally. The track, Hungry Heart, is silly, and tedious, and I usually skip it, or else replace the chorus with the theme from Hungry Hungry Hippos.

Nebraska – meh. Conceptually, the idea of releasing demos instead of the studio version with a full band is interesting, but many of these songs don’t hold my interest for long. In a pinch, I’d say Atlantic City, Highway Patrolman, State Trooper are ok. Atlantic City is the best of the bunch, despite having its lyrics copped from a million early-70s heist films. Maybe the so-called Electric Nebraska (The Nebraska demos were recorded in a studio with the full E Street Band, but never released) would make the songs have more punch? Btw, Johnny Cash did a more powerful version of Highway Patrolman.

Born in the U.S.A. – Not a bad album, but over-hyped and over-played. Springsteen’s lyrics are the very definition of bombast. The kind of album that Ronald Reagan and his cult latched onto (despite not being able to read the lyrics, the chorus was simple enough for Republicans to chant at their rallies) Not to mention there was that music video with Courtney Cox being pulled out the audience. So lame. Glory Days, Born in the USA, I’m On Fire are decent songs, despite it all. 

Tunnel of Love – meh. I can’t pick a single song off of this album that I want to voluntarily listen to. The ‘80s drum machines don’t help.

Human Touch – meh. So boring. So generic. I hope the studio musicians got paid big bucks.

Lucky Touch – slightly better than Human Touch, but still boring. 

The Rising – yeah, yeah, about 9/11, and yadda yadda. Still long winded arena rock, and not fun to listen to. If pressed, maybe 3 decent songs: Into the Fire, Empty Sky, The Fuse, but my life would not be empty if I never heard them again. Candidate Barack Obama (and Hillary Clinton, and John Edwards) used The Rising as a campaign theme song, but still, snooooooooooze…

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Springsteen LPs

We Shall Overcome: The Seeger Sessions  – I actually like this album, none of the songs are written by Springsteen, nor by Pete Seeger for that matter, and Springsteen and company seem like they are having a good time singing and playing these folk standards. However, I don’t disagree with Robert Christgau’s review:

We shall overkill, he means. Never have his Howard Keel tendencies, or maybe now they’re Paul Robeson tendencies, tripped him up so bad. The idea is to big up the music and play the jokes you don’t ignore like you’re working a Roman amphitheater. I’m glad to have met the anti-war lament “Mrs. McGrath” and Sis Cunningham’s “My Oklahoma Home,” and sort of hope young people deprived of music appreciation funding will now hear “Erie Canal,” “Froggie Went A-Courtin’,” “John Henry,” and “Jesse James.” Only are young people really ignorant of these songs? And how many of them buy Springsteen albums anyway? Amping up his strange bluegrass-Dixieland hybrid like E Street is just around the corner, he sings his lungs out. But in folk music, lightness is all–and only newbies and John Hammond Jr. lean so hard on the cornpone drawl.

(click here to continue reading Robert Christgau: Consumer Guide May. 30, 2006: Radicals of the Moment.)

Pete Seeger’s versions are all much better, of course, but you probably already guessed I would think that.

MagicYou’ll Be Coming Down, Gypsy Biker are ok. Nothing memorable about either, nor on the rest of the LP, but at least Fox News and Clear Channel hated it.

Working on a Dream – more boring arena rock, released in 2009. I think when I purchased this album, after reading yet another positive review about it, I decided that I will never like Springsteen enough to purchase another of his albums, at least without hearing it first. 

Summing up: there’s about 15-20 decent Springsteen songs over a long career, which to be fair is a higher number than a lot of artists, but for all the incessant hype and adulation surrounding Springsteen, there should be more genuinely awesome songs. The Clash have at least 40 great songs to their name, maybe more, and their career lasted from 1977-1982.2 If I went through my music library, I could easily find 20 songs from dozens of my favorite artists, 20 songs all better than the best Springsteen has to offer. 

You may like Springsteen, that is your right, de gustibus non est disputandum, but I think he’s just boring.

Footnotes:
  1. especially me []
  2. Obviously, Cut The Crap doesn’t count []

Passing Goldstar (Explored)

A recent photograph made it into Flickr’s Explore (double click to embiggen).

Passing Goldstar

About the photograph: I was standing near Gold Star on Division St., admiring how afternoon light illuminated this long time resident of Wicker Park, waiting for the first person to enter my shot. However, when I entered my digital darkroom, I noticed the women was partially blurred. Often converting to black and white hides these flaws, I used a Tri-X 400 emulation filter (from Alien Skin), but then was sad about losing the golden hour light. I stopped working on the photo, however in the morning when I woke up, I had a new idea. I could use Photoshop to merge some of the color back in to the photo.

I processed the image again from the original Camera RAW file, using the same settings, except, obviously leaving the afternoon sunlight. With both images open, I used the Clone Stamp tool in Photoshop, and with my mouse, dragged over areas that looked like they needed color.

I started with just the neon Goldstar sign, then added the more of the building, then the doorway, then as a last touch, the woman’s feet and the shadow on the sidewalk. I’m not 100% certain if I like that, but I think so. I also could have re-colorized her purse, but it had reds and blues in addition to the golden palette of the rest of the image, so I left it black and white.

I goofed, slightly, when initially using the Clone Stamp tool by not exactly lining up the origin, but this gives the color aspects a subtle three dimensional look, so I left it as it ended up.

All in all, I’m happy with how this image turned out.

The Houston Stadium Grift

Fire hydrant Flood on Randolph

Speaking of corporate welfare and taxpayer money, professional sports owners are worse than college sports organizations, if that is even possible. We’ve long fulminated at this infuriating trend of billionaire team owners stealing tax dollars from cities, usually with a wink-and-nod from the local politicians.

Dave Zirin of The Nation notes that the City of Houston shoveled money to Lamar Alexander, money that could be spent on more practical matters, like cleaning up after a flood, or purchasing homes in flood plains and reverting them back to flood plains…

Taxpayer-subsidized stadiums have long become a substitute for anything resembling urban policy in the 21st century. And now as roads, bridges, and humanitarian shelters decay, they stand exposed as neoliberal Trojan horses that take public dollars and magically transform them into private profit for billionaire sports owners. They are a scam, a con, and, not surprisingly, a grifter like Osteen has long had his hand in this honey pot.

[Money-changer-in-the-temple Joel] Osteen’s church was once a hoops hallowed ground called The Summit, home of the Houston Rockets and the site of the magic made by Hakeem Olajuwon and his 1994 and 1995 teams that won back-to-back NBA titles. In 1995, flush with this success, Rockets owner Les Alexander demanded a new sports arena from the city. These negotiations eventually resulted in the Toyota Center, which opened in 2003, even though the city voted down this plan in a 1999 referendum. In the end, the people of Houston paid $182 million of the $235 million in construction costs. Toyota paid $100 million in naming rights, all of which went to Les Alexander.

That was just the beginning. Texas taxpayers have continuously paid for upgrades in the subsequent years. In 2013, the public even paid for a new $8 million scoreboard to help prepare Houston for the NBA All-Star Game. (Imagine what that $8 million could be used for right now.)

I spoke to Neal DeMause who runs the stadium news site Field of Schemes. He said, “In a sane world, the city of Houston would still own The Summit, rather than have replaced it at public expense so the Rockets owner could have a shinier plaything, and could make its own decisions about how to use it in emergencies. I suppose it’s a small silver lining that the scads of redundant sports facilities littering the landscape make for a surplus of good disaster shelters now—though if cities would spend billions of dollars a year on flood proofing and reducing carbon emissions instead of subsidizing sports venues, they’d probably get better bang for their buck.”

The Rockets-Osteen connection is tragically just a microcosm in Houston of what tax-funded stadium priorities have produced. The Houston Texans were handed $289 million of public financing for their stadium, with minimal debate. They even took $50 million in public funding just for 2017 Super Bowl renovations. That money went into “installing Wi-Fi in the stadium and upgrad[ing] the club and suite areas of the building.”

As for Les Alexander, he just announced that he was selling the Rockets for a staggering $2 billion. Alexander bought the team in 1993 for $85 million. There is no way Alexander would be able to command that asking price without the public subsidies and new arenas underwritten by the city of Houston.

(click here to continue reading The Houston Stadium Grift Comes Home to Roost | The Nation.)

Vinyl Bird - Townes Van Zandt - Live at the Old Quarter, Houston, TX
Vinyl Bird – Townes Van Zandt – Live at the Old Quarter, Houston, TX

I am of the opinion that billionaire sports team owners should be embarrassed to ask for handouts from municipalities, and should be able to pay for their own damn stadiums. Or else, sell their team to the city, like the Green Bay Packers.

Hoop Dream
Hoop Dream

Oh, and what about sports stadiums automatically being used as shelters, as was once proposed

Another College Sports Boondoggle

The Twelfth Player in Every Football Game
The Twelfth Player in Every Football Game

In addition to the elimination of property tax exemptions for rich nonprofits that we’ve mentioned previously, here’s another piece of tax reform I support – the repeal of the tax payer subsidy to college sports…

Eric Zorn writes:

College sports is a big-time business, tickets are in high demand at major universities and charging what the market will bear is the American way. In fact, judging by the secondary market on StubHub, where single seats to the Ohio State game are going for more than $2,000, tickets to Michigan football games are still vastly underpriced.

What I don’t understand, however, is the law that allows ticket buyers to write off 80 percent of their “preferred seating donation” as a charitable contribution for federal tax purposes.

That’s right. High rollers in the swankiest suites can subtract $4,500 from their taxable income, a benefit worth up to $1,782 off their tax bill, as though they had given that money to a soup kitchen or hurricane relief.

Put another way, for each such privileged fan, the federal government effectively provides a $1,782 ticket subsidy.

And, in the mid-1980s, when these preferred-seating donation scams first arose, the Internal Revenue Service issued a common-sense ruling that a mandatory donation linked to the purchase of seasons tickets was a quid pro quo and so not deductible for tax purposes.

Legislators representing schools in the powerful Southeastern Conference “went crazy,” said University of Illinois emeritus law professor John D. Colombo, a specialist in tax laws governing charitable organizations. And in 1988, Congress added subsection 170(l) to the IRS code that specifically allowed for an 80 percent deduction on donations to “institutions of higher education” that granted “the right to purchase tickets for seating at an athletic event.”

In 2015, the Obama administration asked Congress to repeal subsection 170(l), claiming it will drain at least $2.5 billion from public coffers over the next decade. Duke University law professor Richard Schmalbeck estimated the 10-year tax receipts loss at $20 billion.

Congress ignored the suggestion.

(click here to continue reading If Congress can’t eliminate the college football ‘charity’ scam, what hope is there for a tax overhaul? – Chicago Tribune.)

Ain’t that a bitch? Our tax dollars hard at work, inflating college coaches salaries, fancy high-tech training facilities, inflating player salaries, oh, wait, the colleges don’t even pay their athletes a stipend, the players work for basically, “exposure”.  Hmmm, maybe there are deeper issues that need to be solved with Division 1 teams. 

Oklahoma vs Texas
Oklahoma vs Texas