South Tower, designed by architect Walter W. Ahlschlager. Click here for lightbox version.
en.wikipedia.org/wiki/InterContinental_Chicago
The Medinah Athletic Club building was intended to combine elements of many architectural styles. At the eighth floor, its Indiana limestone facade was decorated by three large relief carvings in ancient Assyrian style. Each frieze depicted a different scene in the order of constructing a building, with Contribution on the south wall, Wisdom represented on the west wall and Consecration on the north. (According to an article in the Chicago Tribune from Sept 16, 1928 entitled “Building art inspires panels”:“The friezes were designed by George Unger, in collaboration with Walter Ahlschlager, and carved by Leon Hermant. The figures are costumed in the period of the building, which is that of an old fortress in Mesopotamia in Xerxes time, about 5th century BC.
The theme of the panels as explained by Mr. Unger, was inspired by the history of construction of any building. The south panel starts the story. Here a magnificent cortege is displayed. This panel, termed Contribution, signifies the getting together of treasures for the construction of the building. In the west panel, facing Michigan Avenue, a ruler is shown with his counselors and an architect is shown bringing in a model of the building planned. The north panel shows the consecration of the building after it has been built. A priest is sacrificing a white bull whose blood will be mixed with crushed grapes and poured into the earth. A monkey trainer and his animals are shown. Since the animals represented bigotry in the ancient drawings, they are shown here in leash as symbolic belief that bigotry has no place in the Masonic order.”) The figures in all three scenes are said to be modeled after the faces of club members at the time of its design. Three Sumerian warriors were also carved into the facade at the twelfth floor setback, directly above the Michigan Avenue entrance, and remain visible today.
The exotic gold dome, which is Moorish in influence, originated as part of a decorative docking port for dirigibles – a notion conceived before the Hindenburg disaster in 1937. Years later, the building would lose several feet with the dismantling of an ornamental canopy on the small turret north of the dome. This chimney-like structure was originally intended to assist in the docking of these air ships, but it was never put into use. Inside the dome, a glass cupola and spiral iron staircase resembling the top of a lighthouse led down to the hotel’s upper elevator landing.
Never took a good photo of this building before last month.
