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http://flic.kr/p/EpsxmE
I took Moments Jarred Loose All In Concurrent Multitude on February 20, 2016 at 09:37AM
and processed it in my digital darkroom on February 24, 2016 at 06:30AM
Photos on your screen are nice, but photos on your wall are better!
Framed, ready to hang prints, as well as licenses for reproduction in print and online, are available for order from my photography site — click here.
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http://flic.kr/p/EpsxmE
I took Moments Jarred Loose All In Concurrent Multitude on February 20, 2016 at 09:37AM
and processed it in my digital darkroom on February 24, 2016 at 06:30AM
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http://flic.kr/p/Eixp1T
I took Thought It Wouldn’t Matter on February 20, 2016 at 09:55AM
and processed it in my digital darkroom on February 24, 2016 at 06:27AM
(The sculpture is called Progress Lighting the Way for Commerce)
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http://flic.kr/p/E79yTw
I took You Wanted To Disappear on September 12, 2009 at 05:14AM
and processed it in my digital darkroom on February 19, 2016 at 09:27AM
And for the record, not directly related to Obama’s administration, as far as I know. (Though it was a talking point of Newt Gingrich and other GOP presidential candidates in 2012)
for instance:
http://ift.tt/1HeyuUX
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http://flic.kr/p/E2KE3P
I took Thanks, Obama on February 15, 2016 at 12:04PM
and processed it in my digital darkroom on February 15, 2016 at 06:04PM
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http://flic.kr/p/Dm2ja8
I took Your Silent Sorrows In Empty Rooms on July 04, 2011 at 03:58PM
and processed it in my digital darkroom on February 07, 2016 at 01:32PM
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http://flic.kr/p/DAGJa3
I took Snowy Evening Under the El Tracks on February 01, 2011 at 06:06PM
and processed it in my digital darkroom on February 03, 2016 at 10:30AM
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http://flic.kr/p/DirBpQ
I took You Cannot Truly Escape on August 11, 2011 at 04:44AM
and processed it in my digital darkroom on February 02, 2016 at 01:28PM
The HOPE Outdoor Gallery (HOG) is a three-story educational art project located at 11th & Baylor Streets in Austin – one of the largest outdoor galleries in the USA. This project was developed to provide muralists, graffiti artists and community groups the opportunity to display large scale art pieces driven by inspirational, positive and educational messaging. In addition, the project activates and beautifies a dynamic yet underutilized space with a great view of Austin! The project was officially launched by the HOPE Campaign in March 2011 with the support of Shepard Fairey and Obey Giant Art.
via
http://ift.tt/Ubcrd8
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http://flic.kr/p/DF6Yq1
I took Hope Outdoor Gallery on January 18, 2016 at 07:07AM
and processed it in my digital darkroom on February 01, 2016 at 09:40AM
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http://flic.kr/p/DngRpw
I took I Want To Believe on January 18, 2016 at 07:17AM
and processed it in my digital darkroom on January 26, 2016 at 04:54PM
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http://flic.kr/p/Dn51Tf
I took Candy Is The Answer on January 26, 2016 at 08:19AM
and processed it in my digital darkroom on January 26, 2016 at 02:19PM
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http://flic.kr/p/DncL9i
I took Andrew and Phil in the Neon Light on January 16, 2016 at 02:32PM
and processed it in my digital darkroom on January 25, 2016 at 10:54AM
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http://flic.kr/p/DmNTEv
I took Setting Up “Honoria Starbuck, Flaneuse” (copper blue) on January 16, 2016 at 10:46AM
and processed it in my digital darkroom on January 21, 2016 at 09:07AM
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http://flic.kr/p/D1xyvj
I took David Bowie Is…Waiting on November 09, 2014 at 07:19AM
and processed it in my digital darkroom on January 11, 2016 at 10:02AM
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http://flic.kr/p/CL3LyL
I took Lake Michigan Is A Dangerous Body Of Water on January 07, 2016 at 07:01AM
and processed it in my digital darkroom on January 07, 2016 at 01:01PM
Photography in the digital age is different than most other art forms. Here is why.
First the photographer must take the photo. What does this action entail? A whole litany of things, beginning with identifying something interesting enough to photograph, then properly framing the interesting aspects, composing the shot, deciding about depth of field, shutter speed, and more. Depending upon the kind of photograph, you may have time to think through all these implications, but for the kind of photography I usually practice, instinctual, learned reactions are best, or else the moment may be lost. In the pre-digital days, there was also the complication of what film you had in your camera at the moment. I guess if you were a professional, you maybe didn’t mind switching out rolls of film mid-stream, but that was probably unusual. In the digital era, ISO settings can be tweaked from shot to shot.
Ok, you’ve captured something interesting, now what?
The second part of the process1 is processing the image. Currently my digital darkroom contains two main tools: Adobe Lightroom, and Adobe Photoshop CS 62. I have all of my digital images stored in Lightroom3 and when I’m in the proper mood, I browse through them, searching for an image to work on. I use Smart Collections in Lightroom, which is a way to automatically sort images into groups: by camera, by lens, by aperture, by year taken, by kind of image4, and so on. Sometimes I’ll work on photographs that I took recently, especially if there is some topical, photojournalism reason5, but more often I’ll work on an image I took long ago. During the photographing session, I may think I’ve taken a good photo, but later when I’m looking at the image while sitting in front of my computer, perhaps I see a flaw6, or perhaps I stumble upon something I took long ago but forgot about and work on that instead.
In the pre-digital age, I would make contact sheets of images from a particular roll of film, then decide which of these to work on in a darkroom, having Lightroom eliminates that tedium. Not to mention that the chemicals required in a darkroom cannot be good for one’s health!
Once I decide, I open the image in Photoshop, adjust exposure, contrast, highlights, shadows, cropping, angle, whites, blacks, clarity, vibrance, saturation, white balance, lens distortion, and other tweaks. Some images are easy – they are what they need to be without much brainwork from me, many images take longer. I often convert color images to black and white, sometimes rather easily because that is what the image wants to become, but sometimes this process takes quite a while. I currently use two third party filters: the Nik Collection7 for color and contrast tweaking, and Alien Skin’s Exposure – which emulates film stock from various films.8
The second part of creating a photograph is a much different process than the first. In fact, the two processes use quite different skill sets, and require a much different state of mind. I prefer to wander the streets, headphones on, snapping photographs. Traveling to somewhere new helps focus the eye, but as Heraclitus noted, “δὶς ἐς τὸν αὐτὸν ποταμὸν οὐκ ἂν ἐμβαίης.”9. I guess this is why I don’t take that many portraits: portraits require many photos of the same subject, I get bored by that. My style of photography is to snap only one or maybe two photographs of any particular subject at any particular time. For the processing aspect, I have to be able to concentrate at my computer, ideally without distraction, not always an easy request.
Other art forms are not the same. Painters may sketch what they are going to put down on canvas, or not, but the sketch is only tangentially related to the finished work. Writers might create characters, and back story, but again, the finished work is a different thing. Musicians practice, create riffs, but playing the song is in the moment of the song. Photographers work differently. I guess you could argue that the photographing process is collecting raw material, but that’s not quite accurate because if you don’t take a good photograph, you aren’t going to be able to save it in your digital darkroom, you just won’t.
Don’t Say I Never Warned You – Hipstamatic
A final thought: there is another type of photography that doesn’t involve processing images much. Namely, instant photographs, or in the digital age, images created with smart phones. I use the Hipstamatic app, but there are other similar photography tools, and part of the fun is that the photograph you’ve just taken is finished. You don’t have to go home and work on it, the image is already ready to be shared.
Footnotes: