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I took Waiting For Our Fair Share on February 23, 2020 at 11:12AM
and processed it in my digital darkroom on February 23, 2020 at 05:14PM
Photos on your screen are nice, but photos on your wall are better!
Framed, ready to hang prints, as well as licenses for reproduction in print and online, are available for order from my photography site — click here.
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I took Waiting For Our Fair Share on February 23, 2020 at 11:12AM
and processed it in my digital darkroom on February 23, 2020 at 05:14PM
I find it harder to take new photographs in the bleak mid-winter months, so instead dig through my massive archives of unprocessed photos. I randomly click around in my Lightroom catalog, find a time that has lots of photos that I never really looked at, and often find some interesting images to work on.
For instance, these are all from 20121
Ever Since The Day Began – Downtown Chicago with a bit of snow.
As Is Usually Required – Fulton Market somewhere. A study of light and brick.
I Almost Remember Now – alley, Elmhurst. I have no idea what that thing is, maybe for coal?
Nothing Was More – Blue Line, CTA tracks, and interstate traffic, Irving Park, Chicago
As Close To Yesterday – West Loop CTA tracks at dusk
Speaking of algorithmic art selection, 9to5Google reports:
Google Photos is now trialing a “monthly photo prints” subscription program.
Google will send you 10 prints that will be “automatically selected from your last 30 days of photos.” This subscription program is a way to “get your best memories delivered straight to your home every month.” For $7.99 per month, subscribers get 4×6 pictures printed on matte, white cardstock that features a 1/8-inch border.
While an automatic process leverages Google Photos’ smarts, you’ll be able to pick one of three themes for your monthly prints. Google touts the first “people and pets” option as being the “most popular.” Additionally, you can edit the photos before they’re printed.
- Most people and pets: Relive your best moments of people and pets. Get prints featuring them and other great photos every month.
- Mostly landscapes: Revisit your most memorable places. Get prints of your outdoor shots, city scapes, scenery pics, and more sent to you every month.
- A little bit of everything: Mix it up! Get a mix of all your best moments! Photos of people, landscapes, and other photos delivered to you each month.
(click here to continue reading Google Photos trialing subscription to get best pics printed – 9to5Google.)
SmugMug/Flickr could emulate this, actually, and I’d probably consider it. I don’t use Google Photos, so unless there is an IFTTT recipe that automatically uploads Flickr images to Google Photos, this monthly scheme wouldn’t be viable for me.
Conceptually, I like the idea of having prints sent to me, selected by not-me. The 21st C.E. is buried in gazillions of photos, but most only exist in the digital realm, and aren’t physical objects that can be studied by future generations, or by our Robot Overlords, or whatever.
For a few months, I tried to capture my favorite images from the previous month in a gallery, but it is a hard project to sustain. Life happens, and that would get put to the back burner up until the next month’s batch was due.
Maybe I should try in 2020 to make an analog version of the Google algorithmic art selection, and make small prints every month from the previous month?
A photo of mine was added to yesterday’s Flickr Explore.
Click to embiggen…
I took this photo on February 2nd, 2020, and processed it later that evening.
I personally like this photo more than the Chicago Union Station photograph I discussed previously, even though I didn’t quite capture the photo as I intended – aiming at the sun is always a challenge – I mostly was successful.
The winter weather has been frighteningly depressing this year, overcast skies for weeks and weeks, without even a glimmer of sun, has taken a toll on my mental health.
Specs:
Nikon D7000
18.0-200.0 mm f/3.5-5.6
ƒ/10.0
18.0 mm
1/640
200 ISO
A photo I took of Union Station made into today’s Flickr Explore.
Click to embiggen
I took this photo February 2nd, 2020, and processed it in my digital darkroom a few hours later.
While I think this is a perfectly serviceable photograph, I’m not sure I’d add it to my portfolio. I enjoyed good light, I had the proper lens to capture a decent angle on a modestly interesting and historically significant building, but to me, this illustrates a flaw in letting an algorithm define what is an “excellent” image.
Don’t get me wrong, I enjoy the pat on the back of being included in Flickr Explore, there is certainly a dopamine rush of pleasure when the positive attention of social media suddenly converges on my art.
But if I look at the photos I’ve worked on in the last year, this particular one would not be in my own selection of top ten images to hang in a gallery show or sell prints of.
Am I wrong?
Nikon D7000
18.0-200.0 mm f/3.5-5.6
ƒ/5.6
48.0 mm
1/800
200 ISO
A while ago, this photo was added to Flickr Explore ((August 30th, 2018, but I forgot to post it here))
Walking south on Halsted, about to cross Chicago Avenue.
I took this photo with my iPhone in May, 2018, and processed it in my digital darkroom August 29th, 2018. I actually made a mistake, and imported this photo as a Digital Negative in Lightroom, thus I opened it in Photoshop as if was taken with my Nikon. Ooops. It worked out ok though, but I don’t usually process iPhone snapshots in Photoshop.
A photo of mine was in yesterday’s Flickr Explore…
Storefront, Fulton Market somewhere at night.
Click to embiggen…
I took this photo on May 29th, 2017, and processed it in my digital darkroom on January 27th, 2020.
I didn’t have to do much, just bring up light in the shadows a bit to show off the red dress on the mannequin, while keeping the green windows from over-exposing and thus maintaining the urban noirish feel.
I already forget where the title came from, but it meant something at the moment (and it is part of a longer poem).
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I took Early Evening Snow Flurries on January 17, 2020 at 10:36AM
and processed it in my digital darkroom on January 17, 2020 at 04:44PM
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I took Rush Hour in the Snow on January 17, 2020 at 10:36AM
and processed it in my digital darkroom on January 17, 2020 at 04:44PM
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I took Simplicity Not Scorn on April 22, 2017 at 09:48AM
and processed it in my digital darkroom on January 16, 2020 at 04:11PM
Rio de Janeiro, Brazil, 1948 –
Missão/Missões [Mission/Missions] (How to Build Cathedrals), 1987
600,000 coins, 800 communion wafers, 2,000 cattle bones, 80 paving stones, and black cloth
Cildo Meireles’s installation was first commissioned for an exhibition about the history of the Jesuits in southern Brazil. The artist created a contemplative space that functions as a critique of Jesuit missions established during colonial times to contain the indigenous Tupi-Guaraní people and convert them to Catholicism. The work’s symbolic elements reveal the complicit relationship between material power (coins), spiritual power (communion wafers), and tragedy (bones), while the black shroud and overhead lighting evoke ideas of life and death. Meireles’ use of cattle bones references the importance of ranching within the region’s colonial economy. Yet the bones’ physical resemblance to the human femur also alludes to the human losses associated with forced acculturation.
Blanton Museum of Art, Austin, TX
I took this photo April 2nd, 2017, and processed it in my digital darkroom on January 15, 2020.
I tried a few different versions of this photo (in my darkroom), one version brought up the mom’s visibility from the shadows, but I liked this one the best. The green of the background window added some additional color contrasts.
Photographer, Lake Michigan.
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Photo taken April 9th, 2017, and processed in my digital darkroom January 15, 2020.
The day was actually quite bright, with an azure sky, and the water reflecting blue hues, instead I muted the colors (90% fade of an overlay of Fuji Pro 400H in emulation)
A photo of mine made into Flickr Explore
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Christmas day was very warm, I had to go outside for a walk, and snapped this photo of Wolf Point and the Chicago River by resting my camera on the railing of a bridge.
A photo of mine made it into Flickr’s Explore
Click an image to embiggen…
Labor Day weekend visitors Honoria and Knut explored Chicago with me (and on their own).
For instance, the Virgil Abloh show at the MCA
You’re Obviously In The Wrong Place
Some other photos from that weekend’s fun…
I have never explored Oak Park much, until last week I spent about 2 hours walking around downtown. I need to go a few more times to see more areas that looked intriguing to photograph.
There is a lot Frank Lloyd Wright for instance.
Frank Lloyd Wright’s Unity Temple, Oak Park, IL
Commissioned by the congregation of Oak Park Unity Church in 1905, Wright’s Unity Temple is the greatest public building of the architect’s Chicago years. Wright’s family on his mother’s side were Welsh Unitarians, and his uncle Jenkin Lloyd Jones was a distinguished Unitarian preacher with a parish on Chicago’s south side where Wright and his wife Catherine were married. Wright identified with the rational humanism of Unitarianism, particularly as influenced by Ralph Waldo Emerson’s transcendentalism, uniting all beings as one with the divine presence.
…
The design he submitted to the congregation broke with almost every existing convention for traditional Western ecclesiastic architecture. On the novel choice of construction material Wright states, “There was only one material to choose—as church funds were $45,000. Concrete was cheap.” Wright’s bold concept for the building enabled a series of concrete forms to be repeated multiple times.
In harmony with Wright’s philosophy of organic architecture, the concrete was left uncovered by plaster, brick, or stone. Wright’s sensitive handling of materials was a defining feature of his architecture from early in his career. “Bring out the nature of the materials,” Wright insisted in his seminal essay In the Cause of Architecture, “let their nature intimately into your scheme. Reveal the nature of wood, plaster, brick, or stone in your designs, they are all by nature friendly and beautiful. No treatment can be really a matter of fine art when those natural characteristics are, or their nature is, outraged or neglected.”
I had read about Unity Temple long ago, but had forgotten until I walked up to it, and was amazed.
For The Worship Of God And The Service Of Man
I took other photos of Unity Temple, but haven’t yet processed them.
Remnants of A Holinger & Company Safe
Lake Street, looks to be under reconstruction. There’s a story here for sure.
Reading his Wikipedia entry, I wonder who is working on a screenplay about his life?
en.wikipedia.org/wiki/Percy_Lavon_Julian
Circa 1950, Julian moved his family to the Chicago suburb of Oak Park, becoming the first African-American family to reside there. Although some residents welcomed them into the community, there was also opposition. Before they even moved in, on Thanksgiving Day, 1950, their home was fire-bombed. Later, after they moved in, the house was attacked with dynamite on June 12, 1951. The attacks galvanized the community, and a community group was formed to support the Julians. Julian’s son later recounted that during these times, he and his father often kept watch over the family’s property by sitting in a tree with a shotgun.
In 1953, Julian founded his own research firm, Julian Laboratories, Inc. He brought many of his best chemists, including African-Americans and women, from Glidden to his own company. Julian won a contract to provide Upjohn with $2 million worth of progesterone (equivalent to $17 million today).
To compete against Syntex, he would have to use the same Mexican yam, obtained from the Mexican barbasco trade, as his starting material. Julian used his own money and borrowed from friends to build a processing plant in Mexico, but he could not get a permit from the government to harvest the yams.
Abraham Zlotnik, a former Jewish University of Vienna classmate whom Julian had helped escape from the Holocaust, led a search to find a new source of the yam in Guatemala for the company.
Memorial To Soldiers Who Fought in World War I, Oak Park, and River Forest
In the center of Scoville Park.
The CTA’s Green Line runs through Oak Park, several blocks are covered in murals much like the murals at Hubbard Street.