Frosty Office Window Was Added To Flickr Explore

Last week during a cold snap I took a photo out of my office window. The photo was very popular on Flickr, and eventually crept into the bottom of the Flickr Explore of that day1

Frosty Office Window Blues

(click to embiggen)

Since Large Language Models (LLM) and AI are in the news, as an experiment, I wondered how they would describe my photo. I’ve been taking photographs for a long time, but sometimes I struggle to speak about them in the language of art history. Part of it is no doubt laziness. But it has been a long time2 since I took any art history classes.

From Claude.AI

This is a striking double-exposure photograph that combines an urban cityscape with what appears to be an ice or frost pattern. The overall color palette is dominated by deep blues, creating a cold, winter-like atmosphere.

The image layers:

  1. The base layer shows several tall buildings/skyscrapers in a city, shot from a low angle looking up. The buildings appear as dark silhouettes against a lighter sky, with at least three prominent towers visible in the center of the frame.
  2. The overlaid layer features intricate crystalline patterns that resemble frost or ice formations. These patterns branch out across the image in delicate, fractal-like structures, particularly visible in the upper portions of the frame.
  • The composition creates an interesting interplay between the rigid, geometric lines of the architecture and the organic, branching patterns of the ice crystals. The Hipstamatic app’s processing has enhanced the contrast and blue toning, giving the image a moody, almost surreal quality.
  • The overall effect is quite ethereal, as if viewing the city through a frozen window or perhaps capturing the city in the midst of a deep freeze. The technique effectively transforms an ordinary urban scene into something more artistic and abstract.
  • The overall effect is mesmerizing – it transforms the urban landscape into something that feels almost post-apocalyptic or otherworldly. The crystalline patterns dancing across the skyscrapers create an illusion that nature is reclaiming the city, as if a magical winter has descended upon the metropolis. The deep blue tonality enhances this supernatural quality, making it appear as though the entire scene has been frozen in a moment of time.
  • The image carries a certain duality – there’s both beauty and foreboding in how the delicate ice patterns overlay the harsh architectural lines. It’s reminiscent of scenes from science fiction where natural forces have overtaken human civilization, yet there’s an undeniable aesthetic harmony in how the organic and manufactured elements interweave. The lighter areas where the frost patterns meet the sky create an almost luminous quality, suggesting a glimmer of hope or transcendence within this frozen urban dreamscape.

hmmm. More than I would have said!

I asked ChatGBT

The photograph titled “Frosty Office Window Blues | Brrr” by Seth Anderson captures a compelling double-exposure image. The composition juxtaposes the intricate patterns of frost on a window with the blurred outlines of an office interior. The frost’s delicate crystalline structures create a natural lacework, while the superimposed office scene adds depth and context. The interplay of sharp frost details against the softer, out-of-focus office elements evokes a sense of cold juxtaposed with the warmth of indoor life. The overall blue hue enhances the chilly atmosphere, making the viewer almost feel the winter’s bite. This artistic blend of natural and man-made elements invites contemplation on the relationship between the exterior environment and interior spaces.

I then asked ChatGBT to elaborate. This was the response:

  • The photograph is a masterful blend of two distinct layers—an intricate frost pattern on a window and the shadowy suggestion of an office scene visible through the translucent ice. The frost itself takes center stage, its crystalline formations resembling delicate, feathery etchings made by nature. The complexity of the frost patterns suggests a cold winter morning, with each icy branch-like structure intricately captured in sharp detail. These formations reflect a sense of fragility and ephemeral beauty, evoking the natural artistry of winter.
  • Through the frost, the blurred interior of an office is faintly visible, forming the second layer of this composition. The muted lines of desks, chairs, and other indistinct office elements create a subtle narrative. They serve as a contrast to the organic frost patterns, suggesting themes of human life moving on amidst the harshness of nature. The blurred quality of the office scene creates a sense of mystery, as if glimpsed through a foggy veil, reinforcing the mood of separation between the warmth of the indoors and the icy exterior.
  • The photograph’s cool-toned blue color palette further accentuates the chill in the air, drawing the viewer into the starkness of winter. The interplay between warm artificial light softly diffused in the background and the cold frost in the foreground offers a visual tension that adds emotional depth.
  • This double exposure invites contemplation, not only of its aesthetic beauty but also of its conceptual layers. It speaks to the human desire for warmth and shelter in the face of nature’s harsh elements, while also highlighting the beauty found in the fleeting, often unnoticed moments of the natural world. The photograph is a poetic representation of duality—inside versus outside, warmth versus cold, and the transient versus the enduring.

I then asked Gemini.Google.com

I’m sorry. I’m not able to access the website(s) you’ve provided. The most common reasons the content may not be available to me are paywalls, login requirements or sensitive information, but there are other reasons that I may not be able to access a site.

Doh! I then uploaded the photo…

The photo you provided is a double exposure image that captures the contrast between nature and urban environments. Let’s break down what we see:

Foreground:

Ice Patterns: The most striking element is the intricate frost patterns covering the surface. These delicate, branching structures are a result of water freezing on the window, creating a natural abstract design. The ice gives the photo a cool, almost ethereal quality.

Background:

Cityscape: Through the frost, we see the silhouette of a city skyline. The buildings are rendered in shades of gray and black, creating a sense of depth and distance. The cityscape suggests a bustling urban environment.

Overall Effect:

  • Contrast: The juxtaposition of the organic, natural ice patterns with the rigid, man-made structures of the city creates a powerful visual contrast. This contrast highlights the tension between nature and human civilization.
  • Dreamlike Quality: The frost covering the window creates a sense of distortion and obscurity, making the cityscape seem distant and almost dreamlike. This adds a layer of mystery and intrigue to the photo.
  • Color Palette: The predominant blue tones enhance the cold, wintry atmosphere of the image.

Possible Interpretations:

  • Nature vs. Urbanization: The photo could be seen as a commentary on the relationship between nature and the urban environment. The encroaching ice patterns might symbolize nature’s resilience and ability to reclaim even the most concrete spaces.
  • Fragility: The delicate ice patterns could represent the fragility of nature in the face of human development. The city skyline, looming behind the ice, could symbolize the threat of urbanization to natural ecosystems.
  • Beauty in Impermanence: The ephemeral nature of the ice patterns adds another layer of meaning to the photo. It reminds us of the beauty and transience of natural phenomena.

The double exposure technique adds a unique dimension to the photo, creating a layered and thought-provoking image that invites multiple interpretations.

I asked Gemini.Google to elaborate:

Technical Aspects:

  • Double Exposure: The double exposure technique involves capturing two separate images on the same frame of film or sensor. In this case, one image is the intricate frost patterns on the window, and the second is the cityscape. The photographer carefully aligned these two images to create the final composition.
  • Focus: The focus is intentionally shallow. The frost patterns in the foreground are sharp, while the cityscape in the background is blurred. This technique draws the viewer’s eye to the intricate details of the ice and creates a sense of depth and distance.
  • Lighting: The lighting appears to be natural, with the sun casting shadows and highlights on the ice patterns. The contrast between the bright areas and the darker areas adds depth and dimension to the image.

Symbolic Interpretations:

  • Nature’s Resilience: As mentioned earlier, the ice patterns encroaching on the cityscape could symbolize nature’s ability to reclaim its space. Even in the heart of a concrete jungle, nature finds a way to assert itself.
  • Urban Sprawl vs. Natural Beauty: The photo could be seen as a critique of urban sprawl and its impact on the environment. The blurred cityscape in the background might represent the way urbanization often overshadows and diminishes the beauty of the natural world.
  • Impermanence and Change: The ice patterns, being temporary and constantly evolving, symbolize the fleeting nature of time and the constant state of change in the natural world.

Emotional Impact:

  • Awe and Wonder: The intricate beauty of the ice patterns evokes a sense of awe and wonder at the natural world’s ability to create such stunning forms.
  • Melancholy: The blurred cityscape and the ephemeral nature of the ice can also evoke a sense of melancholy, reminding us of the fragility of both nature and the urban environment.
  • Introspection: The photo’s abstract and dreamlike quality invites contemplation and introspection. It encourages the viewer to ponder their own relationship with nature and the urban world.

Overall, this double exposure photograph is a powerful and thought-provoking work of art. It captures the beauty and fragility of nature, the impact of urbanization, and the constant interplay between these two forces.

Continue reading “Frosty Office Window Was Added To Flickr Explore”

Footnotes:
  1. top 500 photos of the day []
  2. decades!! []

My photo “Don’t Know How Much Longer I Can Wait” was added to Flickr Explore

Don't Know How Much Longer I Can Wait - a photograph of a brightly lit interesection in the rain

I believe for the first time since Flickr parent SmugMug tweaked the algorithm, a photo of mine made it into Explore December 30th, 2023.

I took this photo December 28th, 2023, and developed it in my digital darkroom the next evening.

Photo Gear

  • Nikon D7000
  • 35.0 mm f/1.8
  • ƒ/2.8
  • 1/50 (the slowest shutter speed I can reliably use without a tripod)
  • ISO 400

Location: At the intersection of Lincoln, Halsted and Fullerton, in Lincoln Park, Chicago. I chauffeured to a local physical therapist1, and while waiting the hour for the appointment to be over, I walked around the area. It started raining pretty hard, and I was nervous that my camera might get wet but kept on walking, headphones on, listening to music, including to the Bob Dylan outtakes/alternate takes from the Time Out Of Mind Recordings. By the time I took this photo, I was pretty well soaked, but continued on for another mile or so. In my car, I had a raincoat, and a plastic protective sleeve for my camera, however was too lazy to trudge back to properly gird myself against the elements.  ¯\_(ツ)_/¯ 

At least I got a few good shots of the amazing city light during a rain storm out of it…

Darkroom (digital): Won’t bore you with every detail of what I did in Photoshop, but I do remember I used a graduated neutral density filter (in emulation) to balance the light, and Alien Skin’s Fuji Reala film (in emulation).

Footnotes:
  1. torn rotator cuff, yikes []

Irresponsible Rhetoric – Explored

Another photo of mine made it into Flickr’s Explore

Irresponsible Rhetoric

Columns, Federal Reserve Bank, LaSalle St. and Jackson, downtown Chicago

I took this photo February 2nd, 2020, and processed it in my digital darkroom on March 13th, 2020.

Equipment: Nikon D7000 18.0-200.0 mm f/3.5-5.6

  • ƒ/4.2
  • 32.0 mm
  • 1/50
  • 200 ISO

Sort of an unusual angle, I suppose, and cropped so as to look like the columns are leaning to the right. I bumped up the contrast, and used a Kodak Ektar filter (emulation of film stock).

Gazing Up In Awe – Added to Flickr Explore

A photo of mine was added to yesterday’s Flickr Explore.

Gazing Up In Awe

Click to embiggen

I took this photo on February 2nd, 2020, and processed it later that evening.

I personally like this photo more than the Chicago Union Station photograph I discussed previously, even though I didn’t quite capture the photo as I intended – aiming at the sun is always a challenge – I mostly was successful.

The winter weather has been frighteningly depressing this year, overcast skies for weeks and weeks, without even a glimmer of sun, has taken a toll on my mental health.

Specs:

Nikon D7000
18.0-200.0 mm f/3.5-5.6

ƒ/10.0
18.0 mm
1/640
200 ISO

Dirt Behind Your Daydreams – In Flickr Explore

A photo I took of Union Station made into today’s Flickr Explore.

Dirt Behind Your Daydreams

Click to embiggen

I took this photo February 2nd, 2020, and processed it in my digital darkroom a few hours later.

While I think this is a perfectly serviceable photograph, I’m not sure I’d add it to my portfolio. I enjoyed good light, I had the proper lens to capture a decent angle on a modestly interesting and historically significant building, but to me, this illustrates a flaw in letting an algorithm define what is an “excellent” image.

Don’t get me wrong, I enjoy the pat on the back of being included in Flickr Explore, there is certainly a dopamine rush of pleasure when the positive attention of social media suddenly converges on my art.

But if I look at the photos I’ve worked on in the last year, this particular one would not be in my own selection of top ten images to hang in a gallery show or sell prints of.

Am I wrong?

Nikon D7000
18.0-200.0 mm f/3.5-5.6
ƒ/5.6
48.0 mm
1/800
200 ISO

I Mean It Sometimes – Added To Flickr Explore

A while ago, this photo was added to Flickr Explore ((August 30th, 2018, but I forgot to post it here))

I Mean It Sometimes

Walking south on Halsted, about to cross Chicago Avenue.

I took this photo with my iPhone in May, 2018, and processed it in my digital darkroom August 29th, 2018. I actually made a mistake, and imported this photo as a Digital Negative in Lightroom, thus I opened it in Photoshop as if was taken with my Nikon. Ooops. It worked out ok though, but I don’t usually process iPhone snapshots in Photoshop.

Marred By A Bitter Word – Explored on Flickr

A photo of mine was in yesterday’s Flickr Explore

Marred By A Bitter Word

Storefront, Fulton Market somewhere at night.

Click to embiggen…

I took this photo on May 29th, 2017, and processed it in my digital darkroom on January 27th, 2020.

I didn’t have to do much, just bring up light in the shadows a bit to show off the red dress on the mannequin, while keeping the green windows from over-exposing and thus maintaining the urban noirish feel.

I already forget where the title came from, but it meant something at the moment (and it is part of a longer poem).

Knut Sitting On the Steps of the Museum of Contemporary Art – Explored

A photo of mine made it into Flickr’s Explore

Knut Sitting On the Steps of the Museum of Contemporary Art

Click an image to embiggen

Labor Day weekend visitors Honoria and Knut explored Chicago with me (and on their own).

For instance, the Virgil Abloh show at the MCA

 You're Obviously In The Wrong Place
You’re Obviously In The Wrong Place

Some other photos from that weekend’s fun…

Knut After An Aperol Spritz


Knut After An Aperol Spritz

Tai Chi on Sedgwick El Platform


Tai Chi on Sedgwick El Platform (Knut’s photo)

Memorializing An Aperol Spritz


Memorializing An Aperol Spritz

Trump + Ricketts = Don’t Buy Tickets – In Flickr Explore

Another photo of mine made it into Flickr Explore (click to embiggen)

Trump + Ricketts = Don't Buy Tickets

Trump + Ricketts = Don’t Buy Tickets

Formula checks out.

I went to the Trump Tower protest 10/28/19, and took a few snapshots of the crowd and of various signs. Trump was in town to besmirch Chicago, make fun of people who have died of gun violence, and then fundraise with his buddy Todd Ricketts, owner of the Chicago Cubs. Trump wasn’t welcomed as much as he was jeered.

Dahleen Glanton of the Chicago Tribune:

The people outside Trump’s comfort zone were as different as America allows each of us to be. And they were united in a single goal — to let Trump know that he’s not welcome in Chicago. Even if he didn’t see it, maybe, at least, he sensed it.

It is obvious that Trump doesn’t like Chicago. He has no use for voters here. In 2016, Trump won only 38% of the vote in Illinois, compared to Hillary Clinton’s 55%. Buoyed by Chicago, Clinton got a whopping 74% of the vote in Cook County, compared to Trump’s embarrassing 21%.

There is no way he can count on Chicago in 2020, so he’s resigned to making our city a punching bag.
On his first visit to Chicago since becoming president, Trump wasted no time trashing our city. Speaking to a gathering of international chiefs of police, he again compared Chicago to Afghanistan, saying that the war-torn nation is a “safe place by comparison” and declaring that Chicago is “embarrassing to us as a nation.”
Mayor Lori Lightfoot struck back, calling his attack “insulting, ignorant buffoonery.”

That was mild, though, compared to what other Chicagoans were saying.
The overwhelming sentiment at the rally, which turned into an impromptu march through downtown picking up cheering bystanders along the way, was not only that Trump should be impeached, but also that he needs to be in jail.
The chants were loud and fierce, often accompanied by a drumbeat.
“Lock him up!” “This is what democracy looks like!” “Hey, Hey, Ho Ho, Donald Trump has got to go!” “Democracy is under attack. What do we do? Stand up, fight back!”

 

(click here to continue reading Column: Chicago threw a great protest rally for Donald Trump. Unfortunately, he didn’t get to see it. – Chicago Tribune.)

AP reports:

While in Chicago, Trump headlined a campaign luncheon at his hotel in the city, raising approximately $4 million for a joint fundraising committee benefiting Trump’s reelection effort and the Republican National Committee, according to the GOP.

Thousands of demonstrators rallied outside the hotel, waving colorful signs that said “Impeach Trump Now” and “Quid Pro Quo Trump Must Go.” They also shouted chants such as “Lock him up” and “Trump must go.”

Some said they came to protest out of a fear for the country they have never felt before.

“It will take decades to put things back in place,” said Caroline Mooney, a 61-year-old marketing analyst from the Chicago suburb of Tinley Park.

“If something doesn’t happen next November, we may not recover,” said her friend Steve Schaibley, who drove 2-1 / 2 hours from Livingston County.

(click here to continue reading Trump calls Chicago an embarrassment to U.S. | State News | news-gazette.com.)

Lynn Sweet, Chicago Sun-Times:

Cubs co-owner Todd Ricketts, the Republican National Committee finance chair, will oversee fundraising for President Donald Trump’s re-election campaign as the two organizations merge their 2020 efforts, the RNC announced Friday.

Ricketts, a Wilmette resident, took over RNC fundraising duties in January 2018. The RNC appointment came after Ricketts withdrew his name to be deputy commerce secretary because it was too complicated to untangle his finances.

Under Trump, the RNC and the Trump bid for a second term will fundraise under a unified joint flag called the Trump Victory Committee.

“I am honored to continue to support President Trump and the Republican Party through the Trump Victory Committee,” Ricketts said in a statement. “As we head toward 2020, I will work to ensure President Trump and his campaign have the resources they need

(click here to continue reading Cubs co-owner Todd Ricketts to run President Trump’s re-election fundraising.)

Some other of my photos of the protest:

Trump - Black Lives Matter

Trump – Black Lives Matter

Traitor Go Back To Moscow

Traitor Go Back To Moscow

Great Impeachment, Robin!

Great Impeachment, Robin! Batman and Robin showed up to protest the Dotard

Impeach Trump

Impeach Trump

Get Out Trump

Get Out Trump

Make America Great Again - Deport Trump

Make America Great Again – Deport Trump

Remember When I Needed A Helping Hand – Flickr Explored

Another photo of mine made it to Flickr’s Explore gallery.

Remember When I Needed A Helping Hand

I took the photo a couple years ago in Lincoln Park with some friends, waiting for a solar eclipse. Unfortunately, the only mind altering substances available was a few sips from a cold bottle of saké.

In my digital darkroom, I used a filter to emulate cross-processing, which is an analog darkroom technique where film is developed using chemicals intended for a different type of film.

Wikipedia:

Cross processing (sometimes abbreviated to Xpro) is the deliberate processing of photographic film in a chemical solution intended for a different type of film. The effect was discovered independently by many different photographers often by mistake in the days of C-22 and E-4. Color cross processed photographs are often characterized by unnatural colors and high contrast. The results of cross processing differ from case to case, as the results are determined by many factors such as the make and type of the film used, the amount of light exposed onto the film and the chemical used to develop the film. Similar effects can also be achieved with digital filter effects.

 

(click here to continue reading Cross processing – Wikipedia.)

I’m considering making a large print of this, but we’ll see.

Strangers To Love – Explored

Strangers To Love

(Click to embiggen)

Photo taken a couple summers ago at some Wicker Park street festival, added to Flickr Explore 10/9/2019.

The woman was playfully teasing her boyfriend because while he hemmed and hawed and tried to line up his perfect shot, I stepped in and took a quick photo, and she gestured at me, saying something, “come on, this guy already took my picture!”

I’m a zen photographer: I see something interesting, snap, and either the photo turns out ok or not. And in fact, this is a flawed photo, my focus was a little off, but ¯\_(ツ)_/¯ 

Tri-X 400 in emulation, using Exposure 5.

Thomas Jefferson Pumping Station was Explored

Thomas Jefferson Pumping Station
Thomas Jefferson Pumping Station (Lincoln Square, Chicago) – click to embiggen

A photo I took a while ago1, and processed a couple of weeks ago made it into Flickr Explore. Maybe because I made a Sally Hemmings “joke”?

As far as the image, I was not happy that my Photoshop skills are not proficient enough to straighten the door correctly. But, hey, explored!

This is a beautiful door for a pumping station, and it looks to be recently painted.

 

Nikon D7000

35.0 mm f/2.0
ƒ/6.3
35.0 mm
1/160
250 ISO


Footnotes:
  1. 2013 []

Phil Repairing the Roof of the Workshop – Explored

Phil Repairing the Roof of the Workshop
Phil Repairing the Roof of the Workshop

I took this photo on September 12, 2014, and processed it in my digital darkroom on September 26, 2014.

That’s a pretty darn steep slope if you ask me.

Explored on Flickr, 9/27/14

click image to embiggen