Coal plant looming over Indiana Dunes
From my vast, unknowable photo archives
the original photo (from my first digital camera, an Olympus C3040Z) was a little generic, so added a blue tone for atmosphere.
Coal plant looming over Indiana Dunes
From my vast, unknowable photo archives
the original photo (from my first digital camera, an Olympus C3040Z) was a little generic, so added a blue tone for atmosphere.
Indiana Dunes, April, 2003
strolling through my archives yielded some shots of a coal plant from 2003.
summer, 2007, Seattle
It has been a long time since I read these ten myths of copyright by Brad Templeton. Here’s what he says about Fair Use (seems relevant to the Sonia Zjawinski kerfluffle, and follow-up)
My posting was just fair use!”
See EFF notes on fair use and links from it for a detailed answer, but bear the following in mind:
The “fair use” exemption to (U.S.) copyright law was created to allow things such as commentary, parody, news reporting, research and education about copyrighted works without the permission of the author. That’s vital so that copyright law doesn’t block your freedom to express your own works — only the ability to appropriate other people’s. Intent, and damage to the commercial value of the work are important considerations. Are you reproducing an article from the New York Times because you needed to in order to criticise the quality of the New York Times, or because you couldn’t find time to write your own story, or didn’t want your readers to have to register at the New York Times web site? The first is probably fair use, the others probably aren’t.These rules apply to content you pull from the internet as well. If you wanted to criticise the poker strategy advice on pokerlistings.com, you could reproduce sections of that advice in your criticism as fair use. Just copying it to make your own poker site would probably be plain old copyright infringement.
…
Fair use is generally a short excerpt and almost always attributed. (One should not use much more of the work than is needed to make the commentary.) It should not harm the commercial value of the work — in the sense of people no longer needing to buy it (which is another reason why reproduction of the entire work is a problem.) Famously, copying just 300 words from Gerald Ford’s 200,000 word memoir for a magazine article was ruled as not fair use, in spite of it being very newsworthy, because it was the most important 300 words — why he pardoned Nixon.Note that most inclusion of text in followups and replies is for commentary, and it doesn’t damage the commercial value of the original posting (if it has any) and as such it is almost surely fair use. Fair use isn’t an exact doctrine, though. The court decides if the right to comment overrides the copyright on an individual basis in each case. There have been cases that go beyond the bounds of what I say above, but in general they don’t apply to the typical net misclaim of fair use.
The “fair use” concept varies from country to country, and has different names (such as “fair dealing” in Canada) and other limitations outside the USA.
Facts and ideas can’t be copyrighted, but their expression and structure can. You can always write the facts in your own words though
See the DMCA alert for recent changes in the law.
I still think Fair Use doctrine is woefully fuzzy in re: photography. Marie Carnes posits a very interesting scenario in a comment, namely what happens when an artist is separated from income from their work by someone using Fair Use to separate the artist from the work? The original artist would still seem to have copyright over their original image, but might never know about it. She says it much clearer, check it out.
Most of the Fair Use examples I have seen deal with text, a few with music, but I haven’t seen a clear, cogent argument about photography reproduction, despite reading many interesting comments, such as the one one this Flickr post. Maybe I’m not looking hard enough – are there any examples of Fair Use of a photograph you are familiar with?
The New York Times intellectual property dust-up continues (my response here). Ms.Zjawinski’s original article received about 9 pages of comments before they were closed, I’d estimate about 9-1 criticizing her for a lack of respect of copyright, and lack of respect for photographers.
Her response to her critics boils down to claiming Fair Use.
In order to get the legal perspective on this I talked to Anthony Falzone, a law professor at Stanford and the executive director of the Fair Use Project there. He said that an “All rights reserved” label on a photo did not necessarily give the photographer total control.
“When you say ‘All rights reserved,’ that simply means you’re reserving all the rights the law gives you,” Mr. Falzone said. “But that begs the question: What are the limits on the rights the law gives you?”
That is where the doctrine of fair use comes into play. Mr. Falzone pointed to the 1984 Supreme Court decision in Sony Corporation of America v. Universal City Studios, which said that it was legal to use a VCR to record copyrighted content from broadcast television for personal viewing.
“There are a lot of parallels with what’s going on with Flickr,” Mr. Falzone said. “People are posting photographs and know very well that they are going to be viewed by people on a computer, and if someone wants to print a photo out that they see on Flickr to enjoy some other time and in some other place, that seems fairly analogous to what people did with the VCR.”
From that legal angle, if someone decides to download an “All rights reserved” image from Flickr and put it on their PC desktop or print it at home, they should be covered under fair use. But the law has not fully caught up with the digital era, leaving lots of gray areas.
“The real core question is, is this a fair use or not?” said Corynne McSherry, a senior staff attorney at the Electronic Frontier Foundation, a digital rights group. “Frankly the answer is, we don’t know.” Ms. McSherry suggests playing it safe and always asking.
[Click to continue reading Are Flickr Photos Fair Game for Home Printing? – Gadgetwise Blog – NYTimes.com]
Fair Use is different for an image than, say for example, text. For text, you can copy three paragraphs from an article, or pull ten sentences to Fisk them. Film, capture a scene or two to make a point (Ebert, for instance), music, a few bars, a chorus1.
An image is not divisible – either you take it in its entirety, or you don’t. Much harder to refer to an image in the abstract, or as I understand Fair Use doctrine, it depends upon the amount of the portion used in relation to the copyrighted work as a whole.
Wikipedia defines Fair Use:
Fair use is a doctrine in United States copyright law that allows limited use of copyrighted material without requiring permission from the rights holders, such as use for scholarship or review. It provides for the legal, non-licensed citation or incorporation of copyrighted material in another author’s work under a four-factor balancing test.
The doctrine only existed in the U.S. as common law until it was incorporated into the Copyright Act of 1976, 17 U.S.C. § 107, reprinted here:
“ Notwithstanding the provisions of sections 17 U.S.C. § 106 and 17 U.S.C. § 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:
the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
the nature of the copyrighted work;
the amount and substantiality of the portion used in relation to the copyrighted work as a whole;
and the effect of the use upon the potential market for or value of the copyrighted work.
The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.
[Click to continue reading Fair use – Wikipedia, the free encyclopedia]
Thomas Hawk, never one to avoid controversial topics, sarcastically2 celebrates The New York Times for advocating theft of intellectual property, thereby acknowledging there is a new model of copyright for a new digital century.
W00T! THE NEW YORK TIMES FINALLY ADVOCATES STEALING INTELLECTUAL PROPERTY
Posted on June 26, 2009, 12:26 pm, by Thomas Hawk, under Copyright, Flickr.
Sonia Zjawinski has an interesting article out over at the NY Times’ Gadgetwise blog entitled “Flickr as an Interior Decorating Tool,” where she basically advocates stealing other people’s photographs off of Flickr[Click to continue reading w00t! The New York Times Finally Advocates Stealing Intellectual Property | Thomas Hawk Digital Connection]
Thomas Hawk claims that because most photographers probably have stolen music on their computers, they shouldn’t complain when others steal from them. I’m not sure how Thomas Hawk knows that photographers have stolen MP3s, or use a TiVo, but maybe he has access to some TIA database that we don’t.
The Metafilter community reacted by laughing at photographers who upload images to the web and expect courtesy and copyright law to be adhered to.
Getting smart about personal technology. NYTimes publishes Sonia Zjawinski’s assertion that other peoples’ images on Flickr are probably OK to download, blow up and use to decorate her house: And if you’re wondering about copyright issues (after all, these aren’t my photos), the photos are being used by me for my own, private, noncommercial use. I’m not selling these things and not charging admission to my apartment, so I think I’m in the clear.
Other people think it’s more complicated, and some are just pissed.
[Click to read for yourself Confidential to NY Times: Free as in speech | MetaFilter]
I’d say the majority of the comments at Metafilter are strongly in favor of Ms. Zjawinski’s technique, most using a variation of the same argument: hey, the photo is there, why wouldn’t I take it? These same folk probably steal a lot of other digital media, bittorrents, MP3s, etc. and consider nothing of it.
Personally, I usually release my Flickr photos under a Creative Commons Attributuion/share-alike license, downsample them to 90 pixels and somewhere around 15″x10″ before uploading to Flickr, and have started to use a small watermark of my name3. I haven’t tried, but I assume they would look ok printed at 3″x5″, or even 4″x7″, but any larger size would look increasingly pixelated. I would hope that if some anonymous person wished to print out my photo, they would have the courtesy to ask me first. For instance, recently, an artist based in LA asked me if she could have a copy of a photo I took of her mural. Instead, I gave her the much higher resolution Photoshop file, uploaded it to Drop.io, and gave her the link. She sent me a check for $5, but I never cashed it. All in all, I have gotten close to $2,000 selling prints of my work, not quite enough to purchase an island next to Johnny Depp’s island in the Caribbean Ocean, but more than nothing. In other words, I am simply a hobbyist photographer, so bear that in mind.
Footnotes:A few interesting links collected June 25th through June 26th:
Ted showed the photos around the office. Everyone had a different opinion about which one they should use. In the end, Ted went with the one Farrah had chosen. After all, who knew Farrah's assets better than Farrah herself?
Soon after the poster hit the streets, it became a sensation. Sales increased exponentially. Seven thousand in September. Fifteen thousand in October. Thirty thousand in November. In December, the poster started receiving national attention and sold half a million copies.
The comments left on Sonia Zjawinski’s NYT blog post run about 54-2 eviscerating Ms. Zjawinski for advising New York Times readers to steal photos from random Flickr users. Since yesterday when I read this article (and tweeted about it),1 there were about 23 comments, at this moment, the count is 58. Ms. Zjawinski has added a couple of paragraphs claiming that stealing photos from strangers is akin to watching Lost on your TiVo. Umm, not quite, not quite. What editor let such an inane article be published?
I sift through Flickr on a regular basis for images to use as visuals for my blog posts. As with most things related to the Web, it’s easy to get sidetracked with not-so-work-related search terms like, “kittens” and “vintage bicycles.” Through these bouts of procrastination, I’ve often found stunning photographs, so much so I’ve gotten in the habit of printing faves out and framing them. If a user offers the original resolution for download, don’t let that go to waste. Download, print, frame!
And if you’re wondering about copyright issues (after all, these aren’t my photos), the photos are being used by me for my own, private, noncommercial use. I’m not selling these things and not charging admission to my apartment, so I think I’m in the clear.
Of all the artwork I have in my studio apartment (there isn’t a bare wall in the house), my Flickr finds get the most attention. Best of all, they were practically free! I use a Kodak ESP7 AIO printer to ink my finds on various sizes of photo paper and frame them in inexpensive frames found at Urban Outfitters or Ikea. The only thing I pay for is ink, paper and frames — peanuts, in my opinion.
[Click to read Flickr as an Interior Decorating Tool – Gadgetwise Blog – NYTimes.com and comments]
yesterday evening, the following statement was appended:
UPDATE 7:40 p.m.: Added sentences acknowledging the controversy surrounding the use and reuse of other people’s content on the Internet; also indicated forthcoming post that will address these issues more directly.
I still don’t think Ms. Zjawinski understands copyright, or is able to read Flickr’s Terms of Service. Ironic, in that The New York Times vigorously defends itself from being copied, and is publicly irritated with Google over Google’s linking procedures. I guess different rules apply to the corporate citizen than the private citizen.
Each Flickr user can set their default privacy settings, not that these settings really deter the determined thief like Ms. Zjawinski:
When people are looking at the main display page for one of your photos or a video (e.g.), they will see a button labeled “all sizes” underneath the title. From there, they can download any of the different sizes available, including the original file, unless you choose to prevent it.
Preventing people from downloading something also means that a transparent image will be positioned over the image on the main photo page, which is intended to discourage* people from right-clicking to save, or dragging the image on to their desktop.
If people are unable to access a photo or video of yours — for example if you’ve marked it as private — they won’t be allowed to download the original either.
People with free accounts aren’t able to offer their original files for download.
[From Flickr: Allowing Downloads]
What clueless mongoloid idiots like Sonia Zjawinski don’t realize is that most photographers on Flickr would willingly share their images, if only asked. She should annotate all the images she stole from Flickr users with the name of the artist, title, and perhaps the URL. For me, nearly every time someone has asked to use my photo, I have agreed. Commercial usages: I ask for a fee of some sort, but non-commercial usages? Usually no problem. However, in my mind, printing out an image is akin to commercial usage. Here’s what my Flickr profile says:
You are welcome to use my photos/images on your website or blog post, but please give proper attribution. I’d prefer if you also left me a comment telling me where you are using my image.
If you want to use a photo of mine in your magazine, book, or other printed use, contact me: I have a high resolution Photoshop image on my computer. Rates negotiable.
I wrote a letter to Assistant Managing Editor Michelle McNally who oversees photography for The New York Times
Dear Ms. McNally,
As a long time subscriber to the New York Times, and a long time Flickr user, I am extremely disappointed in the apparent advocacy of photography theft suggested by Sonia Zjawinski. Is this really the policy The New York Times is suggesting to its readers? Ms. Zjawinski needs to be forced to attend an Intellectual Property workshop, perhaps one conducted by NYT in-house counsel. Or else fired.
A Flickr friend left this comment:
I’m also an attorney licensed to practice in three states, and can assure you that what you are advocating is not permissible under U.S. Copyright law. The photographer typically owns the copyright on any photograph she takes (provided it was taken after January 1, 1978), with certain limited exceptions. One thing to remember is a copyright is not a singular right, but rather a collection of rights regarding distribution, licensing and use.
…
The U.S. Copyright Office reminds you – “Acknowledging the source of the copyrighted material does not substitute for obtaining permission.”
Ask before you take. It’s not just polite, it’s the law.
[From Flickr as an Interior Decorating Tool – Gadgetwise Blog – NYTimes.com]
and there is also this response
That’s right, in a recent column, NY Times ‘writer’ Sonia Zjawinski advocates her readers steal your photos from flickr to fill up empty space on their walls
I highly encourage you all to comment on the article letting Sonia know what you think about her advice.
You could also ask the Time’s Assisting Managing Editor if this is the official policy of the paper or a practice she endorses.
http://www.nytimes.com/2009/06/22/business/media/22askthetimes.html?_r=1&pagewanted=all
get on it people!
and please…by all means, copy this image and as much of the text as you want for your own personal use.
update: the photo editor of the NYT responds –
Footnotes:Flickr Images and Copyright
Q. Do you endorse the view of Sonia Zjawinski that it is perfectly acceptable to steal copyrighted images from the Internet? Do you think it’s a good idea for The New York Times to seemingly endorse such views by publishing them? Or do you think it is as disgusting and outrageous as I do?
— Rod Irvine
A. I have received a number of queries about Ms. Zjawinski’s recent post on Gadgetwise, a New York Times blog about personal technology, in which she discussed downloading and printing Flickr images for use as home décor. Here is where The Times stands on the issues that have been raised about the post:
We are strong proponents of copyright protection. The New York Times does not endorse, nor is it our policy to engage in, the infringement of copyrighted work. We apologize for any suggestion to the contrary.
Some additional reading June 25th from 11:50 to 14:04:
Just because you can steal, doesn't make it right. And not something the NYT should allow to be published without at least checking with in-house counsel. I hope Ms. Zjawinski is printing a little tag with the photographers name on every image she steals. And I bet if she left a comment on the photos she borrowed, most often the photographer would be satisfied. Just taking without asking is a bit presumptuous though.
According to Nexis, Milbank never wrote about the Gannon story.
But Pitney, the national editor for one of the most-read and widely respected online news outlets? His singular WH presence sent Milbank into an immediate tizzy.
Part of this is structural. There's almost no acceptable way for a mainstream reporter to explicitly tell readers that the information being put out by a powerful office-holder may be false or misleading. But the only way that this structural flaw will change is if individual reporters are willing to stick out their necks to change it.
Until then, people will read blogs for stories like these.
Eagle Rock, you remember how to Eagle Rock, right?
[for instance: Dictionary of American Regional English; ]
[also:
Eagle rock
1 – a popular black dance from the 1920’s, performed with the arms outstretched with wings and the body rocking from side to side. Here’s a description of the Eagle Rock (Ballin’ The Jack ?)dance:
“First you put your two knees close up tight, then you sway ’em to the left
Then you sway ’em to the right, step around the floor kind of nice and light
Then you twist around and twist around with all your might,
Stretch your lovin’ arms straight out into space,
then you do the Eagle Rock with style and grace.
Swing your foot way ’round then bring it back.
Now that’s what I call Ballin’ the Jack.” from home.btconnect.com/Tattooz/blues_terms.htm#Eagle_rock ]
[some say Eagle Rock is a metaphor for sexual congress, but I have no special insight into that usage in re: this photo]
I only knew the phrase from a Blind Willie McTell song, Kind Mama:
Soon in the morning at half past four
Hot shot rider rappin’ at her door
She’s a real kind mama looking for another man
She ain’t got nobody in town to hold her hand
Went to the door and the door was locked
Think that baby tryin’ to eagle rock
She’s a real kind mama looking for another man
Real kind mama looking for another man
And she ain’t got nobody here to hold her hand
Kind mama looking for another man
I’ve never actually been to Wrigley Field before, so had to look up both of these signs. Luckily, my iPhone got reception, and was able to find the Wikipedia entry:
en.wikipedia.org/wiki/Wrigley_Field
The Lakeview Baseball Club, which sits across Sheffield Avenue (right-field) from the stadium displays a sign that reads, “Eamus Catuli!” (roughly Latin for “Let’s Go Cubs!”—catuli translating to “whelps”, the nearest Latin equivalent), flanked by a counter indicating the Cubs’ long legacy of futility. The counter is labeled “AC,” for “Anno Catuli,” or “In the Year of the Cubs.” The first two digits indicate the number of years since the Cubs’ last division championship as of the end of the previous season (2008), the next two digits indicate the number of years since the Cubs’ last trip to the World Series (1945), and the last three digits indicate the number of years since their last World Series win (1908).
A few interesting links collected June 20th through June 22nd:
It was the basis not only for countless family slide shows but also for world-renowned images, including Abraham Zapruder’s 8-millimeter reel of President John F. Kennedy’s assassination on Nov. 22, 1963.
The widely recognized portrait of an Afghan refugee girl that appeared on the cover of National Geographic in 1985, taken by Steve McCurry, was shot on Kodachrome. …
Unlike any other color film, Kodachrome is purely black and white when exposed. The three primary colors that mix to form the spectrum are added in three development steps rather than built into its layers. Because of the complexity, only Dwayne’s Photo, in Parsons, Kan., still processes Kodachrome film.
It was a difficult decision, given its rich history. At the end of the day, photographers have told us and showed us they've moved on to newer other Kodak films and/or digital. KODACHROME Film currently represents a fraction of one percent of our film sales. "
Of course, I only use digital cameras these days, but I have a filter that emulates Kodachrome, and use it frequently
Images used under a Creative Commons license by Flickr user Swanksalot.
didn’t really to make these photos emulate Rauschenberg’s white canvas period (encountered a room devoted to them in the new modern wing of the Art Institute of Chicago), but since it happened…
Modern Wing, Art Institute of Chicago
From the Rauschenberg wikipedia page:
“In 1951 Rauschenberg created his “White Paintings,” in the tradition of monochromatic painting, whose purpose was to reduce painting to its most essential nature, and to subsequently lead to the possibility of pure experience.[22] The “White Paintings” were shown at Eleanor Ward’s Stable Gallery in New York during October of 1953. They appear at first to be essentially blank, white canvas. However, one commentator said that “…rather than thinking of them as destructive reductions, it might be more productive to see them, as John Cage did, as hypersensitive screens – what Cage suggestively described as ‘airports of the lights, shadows and particles.’ In front of them, the smallest adjustments in lighting and atmosphere might be registered on their surface. Rauschenberg himself said that they were affected by ambient conditions, “so you could almost tell how many people are in the room.”
Nefertiti Lodge
Boo, hiss. I blame AT&T
after finally downloading the iPhone 3.0 software update, I still cannot actually use it, yet. You would think they would have scaled up all resources needed to successfully launch the 3.0 upgrade, but apparently not.
eventually got through to Apple/AT&T’s servers